We often associate Indian music with the dim, mystical sounds of delicate, exotic instruments. Less well known are the clear mathematical structures, strict rules and philosophical teachings that form the basis of a highly complex art of improvisation. Understanding this background does not take away its magic but brings it closer to us and makes it easier to understand.

I have been involved with classical North Indian music since the age of 17. After initial lessons on the cello with Pandit Kamalesh Maitra, I learned to play the sitar in India with Ustad Rafique Khan and Sanjeev Korti. In addition to deepening my theoretical knowledge in various student research projects, I transferred my practical knowledge to the tabla tarang.

In lectures and workshops I give theoretical and practical insights to introduce others to this fascinating music.